ANTONIO CONTADOR

PROJECTS —
2019
        APOGÉE ET DÉCLIN #3
        FM - PUBLICATION
        FM - WALL PAINTINGS
2018
TCA #6
TCA #5
TCA #4
APOGÉE ET DÉCLIN #2
FM - SEL SOLAIRE
2017
FM - CABIDELA
FM - PUBLICATIONS
MONUMENT TO THE CHICKEN #2
2016
TCA #3
APOGÉE ET DÉCLIN #1
L
2015
FM - TALK & WALK
FM - PUBLICATIONS
FM - BROADCAST
FM - TALK
FM - WALK
TCA #2
MATÉRIAS BAIXÁS #2
OLUR #3
OLUR #2
2014
MATÉRIAS BAIXÁS #1
SAM
2013
FM - PRINTS
TU TE TUS
S
2012
MARCHE FUNÈBRE...
TCA#1
JE N’Y SUIS POUR RIEN
10 KM POUR RIEN
STIMULO
2011
MONOLOGUES EN COURANT POUR RIEN
2010
MONUMENT TO THE CHICKEN #1
OLUR #1
SENTINELLES
J’AI BIEN DÉTRUIT TA LETTRE
2009
MONOLOGUES WHILE WALKING UP THE STAIRS...
2007
PERSIFFLEUR


CURATING & AL. — 
2017
DEEEP
2014
TFR #3
2013
FLAMME PARPAING
2012
REVISITING ERNESTO DE SOUSA IN KASSEL
TFR #1
LE CHAT EST DANS LA FORÊT
2011
NOT YET
2005
RUIDOSO


PRESS —
2017
LE RÉPUBLICAIN LORRAIN
REVUE DIALOG
2016
LE TÉLÉGRAMME
OUEST FRANCE
2014
LE QUOTIDIEN DE L’ART
2013
UP MAG. (TAP - AIR PORTUGAL)
FROG


PAPERS & BOOKS (AS AN AUTHOR) 
2018
DA OPERÂNCIA E INOPERÂNCIA...
2017
THE ARTIST’S WITHDRAWAL... A NOÇÃO DE ESPERA...
2010
VERS UNE ESTHÉTIQUE DE L’ATTENTE
2004
SLAVES, CANNIBALS, BLACKS AND DJS...
2001
MUSIC AND THE IDENTIFICATION PROCESS OF THE YOUNG BLACKS IN PORTUGAL
BLACK YOUTH CULTURE IN PORTUGAL
1998
GENERATION CONSCIOUSNESS AND
ETHNICITY: FROM THE 2nd GENERATION TO THE NEW LUSO-AFRICANS

1997
RITMO E POESIA: OS CAMINHOS DO RAP






Mark
TU TE TUS
Performance




Tu te tus is a situationist performance in which the Brussels Police Band walks silently around the space, the musicians following a choreography with their instruments, one based on military drill, which is inaudible to the public. - Agnès Violeau

Performance at Experienz 2 - 18-21/04 at Wiels/Brussels (org.: Nathalie Guiot, cur.: Agnès Violeau)


(...) Back in the foyer space, the Brussels Police Band assembled in full regalia, and proceeded to march slowly through the space, in Antonio Contador’s Tu Te Tus (2013). Though all carried their instruments, the only sound was from a lone snare drum, which kept time. I followed as they left the building and marched around the back of the art centre, the tuba player being a particular source of anticipation from my point of view, as each time he took a breath I thought he might play. They boarded a waiting bus in the car park and drove away. - Laura McLean-Ferris (Frieze blog)



Entretien avec Aude Lavigne sur France Culture à propos de Tu te tus (17/04/2013)